Ivory beaded and embroidered ballgown with hollyhock accent and underlay, V-neckline and open keyhole back. The A-line skirt floats with horsehair banding and a sweeping cathedral train. With matching veil.
From the designer:
“She is a wildflower in gown form — pushing through walls and blooming in the most unexpected places. When I slipped into this dress, it felt like stepping into a moment of lush, unrestrained liveliness. The embroidery artwork is hand-stitched, delicate yet deliberate, scattered like petals and micro seed beads across the bodice and skirt. I’ve always loved playing with hints of rose underlays — that subtle splash of color adds depth and contrast, keeping the romance fresh rather than saccharine. But what I love most is the horsehair banding beneath the skirt — it gives the silhouette a crisp, modern structure that feels sartorially chic. La Vie en Fleurs is unabashedly romantic, yes — but always with a tailored edge, like a wildflower that somehow bloomed inside a ballroom.”
Ivory beaded and embroidered ballgown with hollyhock accent and underlay, V-neckline and open keyhole back. The A-line skirt floats with horsehair banding and a sweeping cathedral train. With matching veil.
From the designer:
“She is a wildflower in gown form — pushing through walls and blooming in the most unexpected places. When I slipped into this dress, it felt like stepping into a moment of lush, unrestrained liveliness. The embroidery artwork is hand-stitched, delicate yet deliberate, scattered like petals and micro seed beads across the bodice and skirt. I’ve always loved playing with hints of rose underlays — that subtle splash of color adds depth and contrast, keeping the romance fresh rather than saccharine. But what I love most is the horsehair banding beneath the skirt — it gives the silhouette a crisp, modern structure that feels sartorially chic. La Vie en Fleurs is unabashedly romantic, yes — but always with a tailored edge, like a wildflower that somehow bloomed inside a ballroom.”
